Organic Wool

Have You Any Organic Wool?

by Donna Druchunas (Email me)

(Sources for eco-friendly fleeces and yarns are posted at the bottom)

What could be more natural than wool?

Many people assume that wool is organic because it is a natural fiber. Some use the term organic informally, referring to wool that is not processed with harsh chemicals and that comes from farms with eco-friendly practices. Others use the term more explicitly in reference to wool that meets government standards for growing, processing and labeling.
Much of the confusion may stem from the fact that the word organic has several meanings. When I was growing up, I learned that all objects were either organic or inorganic. An organic object was a carbon-based life form. An inorganic object was, well, anything else. Usually a rock.

Over the past several decades the word organic has evolved to have a new meaning – a very specific technical and legal meaning. This new meaning is not related to what an object is made of; it is related to the way foods and products are grown and processed using environmentally friendly methods. The goal of these methods is to maintain soil fertility, minimize pollution, and advance sustainable agricultural practices.

According to the Canadian National Standard, “Organic agriculture is a holistic system of production designed to optimize the productivity and fitness of diverse communities within the agroecosystem, including soil organisms, plants, livestock and people. The principle goal of organic agriculture is to develop productive enterprises that are sustainable and harmonious with the environment.  (CAN/CGSB-32-310, Organic Agriculture)

For an item to be organic, it must be grown and processed without the use of synthetic or artificial fertilizers, hormones, medications or chemicals. For an item to be labeled certified organic, the production and processing must be certified with an independent local or regional agency that has standards equal to or exceeding the national standards of Canada or the United States. These standards are designed to help consumers trust labels and to help producers offer products that meet market demands. This sound simple, however, the details of each certification program are different and, as with all laws, there are loopholes that are often more easily taken advantage of by corporations and large institutions than by small farmers or fiber producers.

What is organic wool?

Defining organic qualifications for wool is complicated because it includes certification of both livestock production and fiber processing.

Organic livestock production is well defined by national standards in both Canada and the United States. Both standards share a set of basic requirements: livestock must be fed only certified organic feed and forage; synthetic pesticides, hormones, vaccinations, and genetic engineering are prohibited; wool growers must use practices that encourage livestock health. In addition to certification with approved agencies, these standards also require detailed record keeping and annual reviews by independent inspectors.

At this time, there are no national standards for organic fiber processing in either Canada or the U.S.

Organic livestock production
Organic livestock production is a farm management system that includes growing feed and the animals themselves. When implementing an organic system, farmers must consider soil fertility, crop rotation, soil management, livestock nutrition and health, and pest management.

According to many proponents of organic wool growing, the two most detrimental aspects of traditional farming methods are dipping to control external parasites and overgrazing.

To kill flies, fleas, and ticks, sheep are often submerged, or “dipped”, in pools which contain chemical paraciticides. These pesticides have harmful effects on the nervous systems of workers involved in their application, and their residues have been found in hand creams and lotions containing lanolin. The use of dips also presents an environmental risk of ground water contamination. Organic standards require that farmers use preventive practices and mechanical or biological methods to manage pests. These pest controls may include pest predators or parasites, traps, and non-synthetic repellents.

Organic livestock producers are also required to manage their herds to ensure that they do not exceed the natural carrying capacity of the land. While this requirement is designed to eliminate the devastating effects of overgrazing, it can have a detrimental economic effect. If wool prices drop, organic farmers cannot simply increase production as is standard with conventional methods. Ideally, certification should allow these farmers to receive a premium for the products they produce.

In the real world, things are not always this simple. Many farmers who adhere to these two standards still choose not to become certified organic because of problems controlling internal parasites and the high cost of organic feed.

The “wormer  concern is by far the most serious and common. Becky Weed of Thirteen Mile Lamb and Wool Company, a certified organic farm in Idaho, sums it up when she says, “Becoming certified organic is kind of a pain… the wormer issue scares a lot of people off.  Virtually all sheep have internal parasites. The challenge is finding ways to manage these non-chemically without sacrificing the health of the sheep.

John Hayne of Beaverslide Dry Goods in Montana is also concerned when he says, “Sheep are extremely susceptible to internal parasites.  At Beaverslide, the Haynes raise Rambouillet sheep, which are less susceptible to worms than other breeds – but even they are not immune. Because of concern about the health and well-being of their sheep, as well as the quality of their wool, the Haynes use traditional wormers.

At Thirteen Mile Lamb and Wool Co., the Weeds take a different approach, using a combination of techniques including genetic selection for parasite resistance; rotating pastures with hay-cutting and cattle-grazing to break parasite life cycles; feeding herb mixtures grown on the farm; and careful attention to full nutrition for their animals. “Like any integrated pest management,  Becky says, “the goal is not to exterminate the pest completely (that is both impossible and undesirable), but to learn how to… keep it below levels that impair the animals.

Spring Creek Organic Farm in Montana and Rainbow Homestead in Wisconsin also avoid chemical wormers and practice rotating pasture management. “Through the growing season we rotationally graze, moving [our flock] to clean pasture every one to three days,  Virginia Goeke of Rainbow Homestead explains. “When we researched parasites, we found that under ideal conditions some can re-infect the sheep in as few as four days, hence the short duration within paddocks.  However, neither Spring Creek nor Rainbow Homestead are certified organic. This leads to the second major concern of farmers considering organic certification: the cost of feed.

What sheep can be fed economically differs across the regions of North America. Many farmers grain or hay to feed in winter because they don’t have enough land to grow all of their own feed. Sometimes organic feed is just not available or is not a good quality.

While the flock at Rainbow Homestead is 100-percent grass fed, the Ottensteins at Spring Creek Organic Farm have tried several times to find a good source organic feed for winter – without much success. In 2001, they had had 17 tons of certified organic alfalfa shipped in and paid a significant premium over local alfalfa. They were assured that the shipment was high quality, but discovered that at least a third of the bales were too moldy to feed.

Other farmers use feed that is raised organically but not certified. Doug Beggs of Spruce Haven Ranch, in Ontario, is one example. While not certified organic, Beggs states “I’m as eco-friendly as I can be.  At Spruce Haven Ranch, all the feed used is organically grown but none of it is certified. To buy certified would double the cost.

Organic farming lies at one end of a spectrum of sustainable, eco-friendly farming practices. This spectrum extends from certified organic wool growers, to farmers practicing organic techniques who can’t afford to become certified, to those who practice eco-friendly farming but don’t become certified because of concerns for their animals  health.

While I did not perform a scientific study or survey, it is interesting to note that among the farmers I spoke with, most of those interested in organic certification were either young or newcomers to farming and ranching. The farmers and wool growers with the most experience also had the most doubts and concerns about the economic and medicinal viability of solely relying on organic processes.

Not everyone feels that the organic standards address animal well-being with enough attention to detail. “I’d prefer to see the organic standards be a lot more sustainable and humane in terms of animal husbandry than they are now written,  explains Goeke of Rainbow Homestead.

Beggs of Spruce Haven Ranch says, “I have a friend who is getting certified organic this year. She and her husband are young and idealistic! Its been a struggle for them and they need to accept higher death loss and poorer performance than I could live with myself. I admire her efforts but for me it just doesn’t pencil out. They are new to the land and I expect they will suffer greater losses once the parasite load builds up on their acreage.

The difficulties of becoming and sustaining organic certification are confirmed by Beth Kyle of the Ontario Sheep Marketing Agency’s (OSMA) health program. While Kyle sees great potential for growth in organic farming in the future as a niche market, the OSMA stresses that farmers recognize realities of organic production. “Growth rates are slower and death losses are higher,  Kyle says, noting that under many certification standards it takes three years for a piece of land to be considered organic. During those years, production costs will be high but the greater returns of offering organic products will not be available.

“It is near impossible to be organic with livestock,.  John Hayne of Beaverslide Dry Goods concludes. While the Haynes use as few chemicals as possible and do not use hormones or antibiotics (except to treat pneumonia), they do not see organic certification as an efficient system.

Organic fiber processing

While all of these regulations seem formidable, the requirements for producing organic wool products go even further: the fleece must be cleaned, carded, spun and dyed without harsh detergents, petroleum-based oils or other chemical processes.

Tierra Wools, in New Mexico, is one of the few companies offering yarns from organically raised wool that is also processed naturally. However, “we have not claimed organic certification of our processing,  says Robin Collier, Tierra Wools  General Manager, “because there are no widely adopted standards.  While it is true that there are no national standards for fiber processing in Canada or the U.S., the Organic Trade Association (OTA) is working on developing a North American standard to present to government agencies in both countries later this year.

Cleaning, or scouring, wool with harsh detergents, acids and other chemicals to remove dirt, lanolin and plant matter can damage the wool fibers and create the harsh itchy wools that are well-known in commercially knit products available in North America. As hand-spinners know, scouring with gentle soap and hot water cleans the wool beautifully, leaving a small amount of lanolin. This creates a softer product that retains more of the wool’s natural characteristics. In organic processing, only biodegradable detergents and degreasers are allowed. Carbonization, or treating wool in acid baths to dissolve plant material, is prohibited by organic standards. While some plant matter may remain in the fiber, most of this falls out during carding and spinning.

Hand spinning provides the most control over the spinning process. Many hand-spinners also create their own bats, rolags or slivers from raw fleece, gaining even more control over processing. Some hand spinners use spray bottles with water to control static, but if you leave even a small amount of lanolin in the wool, you don’t need any spinning oil to control static. Rainbow Homestead producesNatureWool hand-spun yarns for sale, but for most commercial processors, hand spinning is too inefficient.

Mechanical spinning is normally done using petroleum-based oils to control static and make the fleece draft smoothly into very even yarns. Russell B. Pierce, President of Bartlett Yarns in Maine, explains, “When the atmosphere is dry and prone to static electricity, it is beneficial to wet the wool stock before it is carded. The friction of carding creates heat that evaporates the oil.  Many commercial wool processors also use harsh chemicals to moth-proof and “superwash  wool, making it machine washable. Some smaller mills have developed organic spinning processes that include the use of vegetable based oils and most do not mothproof or superwash their wool.

Mule spinning, the first mechanized spinning process, is now used by only two mills in North America: Custom Woolen Mills in Alberta and Bartlett Yarns. Both of these mills have implemented eco-friendly practices, but neither is certified organic. The spinning mule, invented during the second half of the eighteenth century, creates a woolen yarn closer to hand spun than any other industrialized process. With a spinning mule, yarns are drawn, spun, relaxed, then wound about six feet at a time. These motions duplicate those of a hand spinner and allow the yarn to fluff up more than those spun on modern spinning machinery. As with hand spinning, mule spinning is too inefficient for the scale of processing required to provide wool yarns to commercial clothing manufacturers.

Green Mountain Spinnery in Vermont, is one example of a modern mill providing organic processing. Working with a local certification agency, they have developed a “Greenspun  spinning process used to produce certified organic and natural colored yarns. The oil used in the Greenspun process is organically certified and contains no genetically engineered material. The spinnery doesn’t use this oil on all of their yarns, although they are considering this switch, because it is more expensive than commercial spinning oil and is slightly less effective in controlling static. There are other downsides to vegetable based oils. Bartlett Yarns uses “synthetic oil because, in our experience, natural oils tend to leave a rancid odor on the yarn.”

The mill that spins for Tierra Wools, Taos Valley Wool Mill in New Mexico, uses organic coconut oil. While they have been certified organic by the New Mexico Organic Commodities Commission, they have had so few requests for organic fiber processing that they are not planning to renew certification. However, they will continue using organic spinning oil and to clean all machinery between processing batches to ensure against contamination of organic wool.

While the natural colored yarns from these mills may be organic and chemical free, introducing dyes adds one more level of complexity. There are many types of dyes that can be used on wool and yarn. Most of these are synthetic and therefore do not comply to organic standards. However, synthetic dyes were not used until 1856. Before that, natural dyes were used. These dyes, derived primarily from plants, and are used today by specialty yarn producers. Despite their “natural  origin, they may introduce environmental hazards when mordants, or chemicals made of metal extractions, are used to improve their light- and wash-fastness. Some mordants, such as alum, are perfectly safe, while others, such as chrome, are quite toxic.

Natural colored yarns are also becoming more popular and the “black sheep  that were previously culled from flocks to provide “pure  white fleece for dyeing are in demand again. At Custom Woolen Mills, Green Mountain Spinnery, and Rainbow Homestead, natural gray and black fleeces are spun separately and blended with white to create a wide range of undyed yarns.

Marr Haven farm in Michigan, uses a small amount of synthetic dyed yarn blended with natural colored fleece to produce heathery mule-spun yarns that have a much lower environmental impact than yarns made from 100-percent dyed fiber. While the heather yarns are not completely chemical free as natural colored yarns are, the blended yarns use only ten-percent or less of dyed wool.

Should I buy organic wool?

The benefits of certified organic and eco-friendly wool products are similar. Deciding whether or not to purchase only certified organic wool products is not simple.

For large-scale consumers and product manufacturers, buying certified organic wool may be the only viable method for ensuring eco-friendly products. In addition, consumer demand and export requirements may dictate that large-scale producers and manufacturers obtain organic certification.

For the small-sale consumer, there are options. When you buy certified organic products, you are supporting the organic industry and encouraging other wool producers to adopt practices that support a healthy environment. However, many small non-certified farmers and wool producers offer products equal or excel certified organic products in quality and ecological soundness.

For now, the best option may be to shop around and study the farming techniques and wool production processes used by the producers of fleece or yarn you are interested in purchasing.

***
This article first appeared in Fibre Focus magazine. Copyrigth 2002, Donna Druchunas, all rights reserved.
 
Sources for eco-friendly fleeces and yarns

Organically certification is indicated by a
*.Farms, Fiber, and YarnBeaverslide Dry Goods,
www.marrhaven.com
Spring Creek Organic Farm, Idaho

Spruce Haven Farm, Meaford ON
www.bmts.com/~beggs

*Thirteen Mile Lamb & Wool Co., Montana
www.lambandwool.com

Fiber Processing and Yarn

Bartlett Yarns, Maine
www.bartlettyarns.com

Belle Vallée Wools, Belle Vallée, ON
www.bvwools.com

Custom Woolen Mills, Carstairs, AB
www.customwoolenmills.com

*Green Mountain Spinnery, Vermont
www.spinnery.com

 

2 thoughts on “Organic Wool

  1. Kathy says:

    Thanks for writing this Donna and making it available to the public. Personally I prefer the eco friendly label to organic. I cringe to think of shepherds not doing everything they can to keep their flocks healthy and comfortable. I think the organic label is a fad that people rely on so they don’t have to do research. Though like you say certified organic makes industry develop policies that overall in the long run improve the processes that get yarn to the consumer. I’m still not sure that is the final solution. We shall see!

  2. Kathy says:

    Thanks for writing this Donna and making it available to the public. Personally I prefer the eco friendly label to organic. I cringe to think of shepherds not doing everything they can to keep their flocks healthy and comfortable. I think the organic label is a fad that people rely on so they don’t have to do research. Though like you say certified organic makes industry develop policies that overall in the long run improve the processes that get yarn to the consumer. I’m still not sure that is the final solution. We shall see!

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Springmitts Sample Page

Springmitts Table of Contents

MKAL Schedule Starting Nov 1st

We will be knitting for 1 month in my Ravelry.com forums.

Nov 1 – CO and knit cuff and leg
Nov 8 – Heel and gusset shaping
Nov 22 – Knit foot
Nov 29 – Toe shaping and finishing options

Each week you will receive a PDF with the next part of the pattern, tips, and a link to video tutorials.

Wintermitts Sample Page

Wintermitts Table of Contents

About Donna Druchunas

About the Author:

Donna’s career as a knitting expert and author took flight with her first book, “Arctic Lace,” (2004) which delved into the rich knitting traditions of Alaska. This work exemplified her commitment to preserving and sharing the cultural heritage embedded in the craft of knitting.

In a world where traditional crafts often face challenges in a fast-paced digital age, Donna Druchunas continues to be a beacon of inspiration for knitters and artisans alike. Her dedication to preserving the past, sharing stories, and nurturing creativity through knitting makes her a beloved figure in the world of fiber arts, leaving a legacy that will be cherished for generations to come.

We hope this pattern knitting book brings you enjoyment as much as we enjoyed creating it.

Folktales in Lithuania Comics with Knit Patterns
Goddess Knits Video 2

Goddess Knits Book PREVIEW

About The Authors – Goddess Knits

Donna Druchunas

A writer and knitwear designer with passions for knitting, world travel, and research. She has been visiting Lithuania, where her great grandparents were born, every year since 2007. Donna has been designing knitwear and writing for over a decade and she is the author of award-winning knitting books. She also teaches in the USA, Canada, and Europe and holds retreats at her private studio in a 150-year old farm house.

Heather Marano

a.k.a. The Merry Spinster. I’ve had a love affair with fiber and the fiber arts for as long as I can remember. My mother taught me to crochet at an early age and I enjoyed her afghans and my individual granny squares.

In 2012 a dear friend taught me how to spin wool on a drop spindle. I was instantly hooked, pardon the pun. I spent many hours spinning and adding to my spindle collection as well as my fiber collection! I purchased numerous fleeces and learned all there was to know about processing the wool, dyeing it and then spinning it. I learned to dye wool and other protein fibers with plant dyes and began selling my art yarns on Etsy. I started taking special orders for dyed yarn and realized I needed to be able to spin more, faster. Enter the wheel.

Goddess Knits Table Contents

Art of Lithuanian Knitting

About June Hall & Donna Druchunas

About the Authors:

Donna Druchunas is a writer and knitwear designer with passions for knitting, world travel, and research. She has been visiting Lithuania, where her great grandparents were born, every year since 2007. Donna has been designing knitwear and writing for over a decade and she is the author of award-winning knitting books. She also teaches in the USA, Canada, and Europe and holds retreats at her private studio in a 150-year old farm house.

June L. Hall is a local historian and fibre artist, and the author of a book about the native Lake District sheep, for parents and children, Henrietta Herdwick. She was a long-time member the Wool Clip fiber-artist co-operative in Cumbria, which organizes WoolFest one of the largest sheep and wool events in Great Britain and serves as a committee member for the Rare Breeds Survival Trust of Cumbria. June has had her articles and designs published in magazines in the UK and the USA.

Art of Lithuania Knitting (photos)

A small sample of some of the knitting projects in The Art of Lithuanian Knitting.

Sample Online Knitting Workshop Video

 

Shawl Stitchers Crescent Shawl Aug23 – Specs

August 2023 | Crescent Shawl

Currently available for shipping. One week delay to dye to order.

Yarn Weight: Light Fingering
Net Weight: 100g (4oz)
Blend: 75% wool / 25% cotton
Hand Dyed: Yes
Brand: Barton River Yarn (our own)
Needles: Size 5US (3.75mm), long circular to hold a lot of stitches, or size to obtain gauge
Gauge: 18 stitches x 32 rows = 4”(10cm) in St st. | Gauge is not important but any large difference will result in a difference in finished size and yardage requirements.
What’s Included: Yarn, Shawl Pin, Vermont Homemade Soap, Hand Dyed Yarn, Free Shipping US & Canada.

 


crescentshawl1

crescentshawl2
crescentshawl3

What is a writing coach?

A writing coach is a professional who provides guidance and support to individuals looking to improve their writing skills, complete a writing project, or achieve specific writing goals. Writing coaches work with a wide range of clients, including aspiring authors, students, business professionals, and anyone who wants to enhance their writing abilities.

The role of a writing coach can vary depending on the needs of the client, but their primary responsibilities often include:

Feedback and critique: Writing coaches review and provide constructive feedback on their clients’ written work, helping them identify areas for improvement in terms of style, grammar, clarity, and overall effectiveness.

Goal setting: Coaches assist clients in setting clear writing goals and developing a plan to achieve those goals. This can include outlining a book, completing a thesis, or improving writing skills for a specific purpose, such as business communication.

Accountability: Writing coaches help clients stay on track with their writing projects by providing regular check-ins, deadlines, and encouragement. This accountability can be especially valuable for those who struggle with procrastination or time management.

Skill development: Coaches may offer guidance and resources to help clients improve their writing skills, whether it’s in areas like storytelling, persuasive writing, or academic writing.

Brainstorming and idea generation: Writing coaches can assist clients in generating ideas, organizing thoughts, and developing outlines for their writing projects.

Motivation and confidence building: Many writers experience self-doubt or writer’s block. Coaches provide support and motivation to help clients overcome these obstacles and build confidence in their writing abilities.

Editing and revision assistance: Writing coaches may also assist with the editing and revision process, helping clients polish their work and make it more compelling and coherent.

Writing coaches can work with clients in various formats, including one-on-one coaching sessions, group workshops, online communication, or a combination of these. Their ultimate goal is to help clients become better writers, achieve their writing objectives, and produce high-quality written content.

Steeks: Cutting Necks & Armholes

Technique Class

Materials: Worsted or heavy-worsted yarn, 6 to 8 ounces. Scraps are perfect: you will be making samples, and you will be cutting your work! The yarn should produce a nice-feeling stockinette (definitely not too loose, and preferably not board-like) at about 4 to 5 stitches per inch. At least two colors, unless you plan to work the samples in one color.One 16-inch circular needle, size 7 or 8 U.S.Set of double-pointed needles, in the same size as the circular needle.Crochet hook in a size slightly smaller than your knitting needles. Stitch markers.Sewing needle, thread, and scissors.

Skill Level: For the advanced-beginner to intermediate knitter.

Description: Steeking is a technique devised by traditional and ethnic knitters. Steeks provide provide ways to form openings in fabric that is worked in the round: openings for armholes, necklines, cardigan fronts, and so on.They do involve cutting your handknitted fabric! This class will quickly ease you past the obstacle of snipping your stitches and then give you practical experience in where and how to use steeks. We’ll be knitting swatches and cutting them in this class.It’s true: I was scared stiff when I snipped open my first steek. Now I use these techniques whenever I can. When I work with intricate patterning, it’s wonderful to be able to keep going in the round above the armholes. When I knit a simple garment, it’s nice to stay with the flow of working in the round. Every time I see an opening in a garment, I think, “Hmmm, is there any reason not to steek that?” Participants in this class need to be comfortable with the basics of knitting, purling, casting on, and binding off, and to know how to join for working in the round. Some experience with two-color knitting can be very helpful.

Homework: Students will be required to knit swatches before class, instructions will be provided 1-2 weeks before the class date.

What is a Raglan Sweater?

A raglan sweater is a type of sweater that has no shoulder seams. Instead, the sleeves are seamlessly connected to the body of the sweater at the neckline. This gives the sweater a clean, streamlined look and allows for greater range of motion.

Raglan sweaters are named after FitzRoy Somerset, Lord Raglan, the British commander-in-chief during the Crimean War. Raglan lost his right arm at the Battle of Waterloo, and it is believed that his tailor developed the raglan sleeve style to fit better on his armless side.

Raglan sweaters are a popular choice for both men and women. They are comfortable and stylish, and they can be dressed up or down. Raglan sweaters are also a good choice for activewear, as they allow for free movement.

Here are some of the benefits of raglan sweaters:

No shoulder seams: This gives the sweater a clean, streamlined look and allows for greater range of motion.

Comfortable: Raglan sweaters are typically made from soft, comfortable materials, such as cotton, wool, or acrylic.
Stylish: Raglan sweaters can be dressed up or down, making them a versatile wardrobe staple.

Good for activewear: Raglan sweaters allow for free movement, making them a good choice for sportswear or other activities.

If you are looking for a comfortable, stylish, and versatile sweater, a raglan sweater is a great option.

 

Top-Down Raglan Sweater Masterclass Photos
8 Sizes Available (S, M, L, XL, 1x, 2x, 3x, 4x) | 6 semi-solid colors and 10 lace stitch patterns to choose from. | Yarn is from our local shepherds here in Vermont
View Workshop Recordings

Please note: All previous workshops are available to all those who have purchased workshops.
Check your emails from Sheeptoshawl.com for a password for access. If you forgot or need your password for access, please contact us.


Jan 2023 | Pi Shawl Basics Workshop (View Workshop)

Feb 2023 | Victorian Knitting Workshop (View Workshop)

March 2023 | Stories in Stitches Workshop (View Workshop)

April 2023 | Bosnian Socks Workshop (View Workshop)

May 2023 | Successful Lace Knitting Workshop (View Workshop)

July 2023 | Lithuanian Socks Workshop (View Workshop)

August 2023 |Beaded Wristers Warmers Workshop (View Workshop)

 

Crescent Shawl Project
Mastering Cable Knitting
Mastering Cable Knitting: Craft a Stylish Knitted Vest Workshop
June 16th, 2024 | 1pm – 3pm Eastern Time
Project & Technique Workshop

Experience level – advanced beginner

Description: Unravel the artistry of cable knitting and embark on a creative journey to craft your very own stunning knitted vest in this comprehensive and hands-on course. Cable knitting, with its intricate patterns and captivating textures, adds a touch of elegance to any garment. Throughout this course, you will unlock the secrets of cable knitting, from understanding the fundamentals to mastering advanced techniques, all while creating a stylish and cozy vest that will be the envy of all.|

This course is designed to cater to both knitting novices and experienced crafters looking to enhance their skills. We will learn how to knit cables with and without cable needles, as well as how to understand cable charts and the underlying concepts of how cables work.

Materials: Brown Sheep Lamb’s Pride Worsted (85% wool, 15% mohair 4 oz/113 g; 190 yds/173 m) in color M-109 laded Dreams, 4 (4, 5) skeins plus 1 extra skein for cabled back option
US size 6 (4 mm) needles, or size to obtain gauge
US size 4 (3.5 mm) needles
Cable Needle

January 21st, 2024 | 1pm – 4pm Eastern Time

Lace Around the World Workshop
Lace Around the World Workshop
Oct 20th, 2024 | 1pm – 4pm Eastern Time
Project & Technique Workshop

laceknittingAfter I finished my Arctic Lace Knitting Book, I finally allowed myself to explore the world of lace knitting and discovered that is is much more varied and elaborate than I could have imagined. Around the world and over time, knitters in different countries and regions have developed unique styles of lace knitting that range from easy-intermediate (like the knitting of the Oomingmak knitters) to advanced-insanely- difficult (like some of the Victorian patterns designed by English knitters). Other lace styles are used in Estonia, Russia, South America, Lithuania, Germany and Austria, and New Zealand. I’m sure there are even more, but these are the styles I’ve explored so far. – Donna Druchunas –

Skill level: advanced/intermediate.

Materials: Any yarn and needles for practice swatches

For the shawl; Jamieson & Smith 2ply Laceweight (Laceweight; 100% wool; 169m/185yds per 25g ball)
Pale Pink (L101); 8 x 25g balls or similiar
1 pair 3.5mm (UK 10/US 4) knitting needles
Stitch markers

Oct 20th, 2024 | 1pm – 4pm Eastern Time

Folk Sock Knitting Workshop
Folk Sock Knitting Workshop
Sept 15th, 2024 | 1pm – 3pm Eastern Time
Technique Workshop

folksock knitting

Materials: Pencil and pen, graph paper, calculator, basic knitting stitch library (optional), eye glasses or magnifier (if you need them for close work), a pair of hand-knitted socks you’d like to reproduce (or you can use one of my examples), 3-4 balls of sock yarn in different colors, and a set of 4 or 5 appropriately sized double-pointed needle.

Experience: Advanced, need to know how to knit with double-pointed needles, and be familiar with several kinds of sock heel and toe construction methods

Description: In this workshop, we will look at vintage sock patterns, photos from socks in museum collections, and samples of folk-art socks that I’ve collected in Eastern Europe, as well as any socks you’d like to bring with you to examine. We will then learn how to “read” the socks to determine how they were made and answer these questions, and more: Toe up or cuff down? What type of cast on? What type of bind-off? What pattern stitches and colors? What is the gauge? What fiber is used? At the end of the class, each student will be ready to begin reproducing a pair of ethnic socks and will leave the classroom with charts and

Sept 15th, 2024 | 1pm – 4pm Eastern Time

Knitting With Linen Workshop
Knitting With Linen Workshop
June 16th, 2024 | 1pm – 4pm Eastern Time
Technique Workhsop

steeking cutting

May 19th, 2024 | 1pm – 4pm Eastern Time

Understanding Charts
Understanding Charts
Feb 18th, 2024 | 1pm – 3pm Eastern Time
Technique Workhsop

 

Understanding Knitting Charts

Have you ever wondered why some people can read charts easily and others find them incomprehensible? The truth is, charts are written in a code that can be deciphered by knitters who learn the symbols on the page and in their knitting. Charts do not use arbitrary symbols, but each symbol includes the instructions on how to make the indicated stitch! In this class, you will learn the secrets of interpreting chart symbols for texture and cable stitches.

Knit and purl moss stitch

Cable Charts

Right & left basic cable crosses (2/2)

Right & left crossing rope cables (2/2)

Right & left basic knits moving over purls (2/1)

Diagonal lines that move to the left and the right (2/1)

And more

Lace charts

Right and left slanting decreases

Double decreases

Mesh stitches

Diamond motifs

Leaf patterns

And more

Learn how to draw the design with your stitches without constantly making mistakes or referring to the chart keys.

Learn how to draw the design with your stitches without constantly making mistakes or referring to the chart keys.

Feb 18th, 2024 | 1pm – 4pm Eastern Time

Types of Color Knitting Workshop
Types of Color Knitting Workshop
April 21st, 2024 | 1pm – 3pm Eastern Time
Project Workshop

Guest teacher and dear friend, Anne Burke with join us in this workshop.

This is an advanced workshop that includes several different types of colorwork including fair isle, intarsia in the round, baltic braids, and corrugated ribbing. The workshop includes a tutorial on intarsia in the round as well as links to many videos of the special techniques used in the pattern.

Experience level: intermediate to advanced

Materials:
Worsted weight wool yarn
1 skein (about 220 yards per 100g) of white (MC) and
1 mini skein (about 50 yards) each of 3 contrasting colors: blue (A), green (B), and gold (C)
US size 7 (4.5mm) and US size 8 (5mm) needles

April 21st, 2024 | 1pm – 4pm Eastern Time

Professional Finishing Workshop
Professional Finishing in Knitting
March 17th, 2024 | 1pm – 3pm Eastern Time
Technique Class

Experience: All skill levels, basic knitting skills required.
Materials: 1 pair of single-pointed knitting needles in the size you used for your swatches, 1 set of double-pointed knitting needles in the size you used for your swatches, contrasting, worsted weight, yarn, crochet hook in the same size you used for your swatches (or close), yarn or tapestry needles large enough to accommodate your yarn, plastic seaming pins, basic knitting toolkit.

Description:
In this workshop you use swatches to learn, and practice, different types of seams, bind-offs, and edge finishes and which are best suited for different types of knit projects. Button Bands, buttonholes, picking up stitches, I-cord bind-off, 3- needle bind off, and crocheted seams and edges will all be covered.

HOMEWORK: Students should bring 6 swatches to class. Do not bind off your swatches, but place them on stitch holders or spare needles. We will use them to learn new bind-off techniques. They should be knit from a worsted weight yarn and should measure at least 4″ inches X 4″ inches. You will need two swatches each knit in Garter Stitch, Stockinette Stitch, and Seed Stitch.

March 17th, 2024 | 1pm – 4pm Eastern Time

Understanding and Knitting From Charts
Understanding and knitting from charts workshop
Feb 18th, 2024 | 1pm – 4pm Eastern Time
Technique Class

Have you ever wondered why some people can read charts easily and others find them incomprehensible? The truth is, charts are written in a code that can be deciphered by knitters who learn the symbols on the page and in their knitting. Charts do not use arbitrary symbols, but each symbol includes the instructions on how to make the indicated stitch! In this class, you will learn the secrets of interpreting chart symbols for texture and cable stitches.

Knit and purl moss stitch

Cable Charts
Right & left basic cable crosses (2/2)
Right & left crossing rope cables (2/2)
Right & left basic knits moving over purls (2/1)
Diagonal lines that move to the left and the right (2/1)
And more

Lace charts
Right and left slanting decreases
Double decreases
Mesh stitches
Diamond motifs
Leaf patterns
And more

Learn how to draw the design with your stitches without constantly making mistakes or referring to the chart keys.

Feb 18st, 2024 | 1pm – 4pm Eastern Time

Upcoming Project for “What would Frida knit”.

Our next project will be a knitted bag will a marled yarn. Custom dyed colors just for this project.
july2023club bag

Unboxing Yarn Club 2022

About Donna Druchunas

Over 25 years of knitting experience under her needles & running a kitting business for 19 yrs, Donna is well versed in the knitting industry. Teacher, mentor, designer, artist, and so much more. You may have seen her in Interweave magazine, Vogue knitting Magazine, knitting books, knitting retreats, Craftsy.com, or countless knitting articles over the years.

About Goddess Knits Pattern Book

We’ve incorporated designs to suit every knitter from beginner to advanced and included everything from gorgeous shawls and scarves, to hats and socks. There are even a few accessories like the Market Bag and the Handfasting Ribbon.rtjkgk4gc

We hope this book will act as inspiration for you to continue your exploration into goddesses around the world and perhaps to dip your toes into the waters of a new craft: painting, drawing, glassblowing, papercraft, flower work, sculpture, culinary art, or photography. There are many ways to touch the magic of that universal tapestry. We hope by working the designs in this book, you can do just that.

– Authors & Designers Donna Druchunas & Heather Marano

All yarn is custom dyed right here at sheep to shawl by designer Donna Druchunas. Colors are picked for the specific knitting project. All new knitting designs, never before seen.

Who is Frida Kahlo?

fridaFrida adopted the traditional clothing of women from Mexico’s matriarchal Tehuantepec culture—combined with some pieces from Europe and others from China—to create her unique style. We will explore the colors, designs, and style of Frida’s clothing and incorporate all new knitting designs in 6 knitting patterns and art created by me. – Designer Donna Druchunas –

April Showers & May Flowers Photos
Live Online Knitting Workshop Info

I’ve put together a knitting workshop per month for 2023 – 2024.  These are live online knitting workshops that I’ve taught live and in person in the past and I’m making them available to all the wonderful knitters out there at a low cost, no traveling, no hotel stay needed. 🙂 – Donna Druchunas –

  • 3 hr class every 3rd Sunday of the month Jan 2023 – Oct 2024. 2nd Sunday in Nov – Dec, 2023-24. 1-4pm each day.
  • Full version of a knitting pattern is included in each class but they are for reference to a particular technique. These workshops are not knit alongs. However, support is available one on one whenever you need it.
  • Live Q&A at the end of each workshop.
  • Workshops will be recorded with the exception of the live Q & A which will be transcribed. Your video is not required. You can listen in and participation is not required. We use Google meets which can be used with or without a google account.
  • Access to workshops will be available on our website AFTER your workshop concludes for future reference.

Please contact Donna on our contact form or direct email to Donna@bartonriveryarn.com. Please specify which workshop you have questions about or just ask a general questions.

What is a KAL (Knit Along)

  • Pattern Release in Stages: The pattern is divided into sections, called clues, which are released over a set period, such as weekly or biweekly.
  • Mystery Element: Knitters don’t know what the finished project will look like. They follow each clue as it’s released, revealing the design bit by bit.
  • Community Engagement: MKALs often encourage social interaction among participants, who share progress photos, discuss their experiences, and compare their work on platforms like Ravelry.com.
  • Supplies Provided in Advance: While the design is a secret, the material information needed (such as yarn, needle sizes, and other notions) are usually provided in advance so participants can prepare.
  • Excitement of the Unknown: The fun of an MKAL lies in the anticipation, surprise, and the joy of knitting something new alongside a group.
Goddess Knits Video 1

Goddess Knits Book Illustrations

All illustrations created by Designer Donna Druchunas

goddesses

Past Club Projects
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Starting the border on a shawl
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Brioche Cowl Online Workshop
Brioche Cowl Online Workshop
Nov 12th, 2023 | 1pm – 4pm Eastern Time
Project Class

Materials: 2 balls of soft worsted weight yarn in different colors (approx 225 yards per ball), US size 101⁄2 (6.5mm) circular ndl approx 24″/60cm long or 2 circulars, basic knitting toolkit. This is enough yarn for the cowl and the December hat class.

Experience: Easy, need to know how to cast on, bind off, knit, and purl.

Description: I combined soft and squishy Brioche Stitch, also known as Fisherman’s Rib, with one skein of wool and one skein of wool-silk blend. You can 2 any soft yarns that you like. We will learn how to knit 2-color Brioche in the round with this simple, meditative pattern that will give you a quick gift for yourself or someone on your holiday list.

Nov 12th, 2023 | 1pm – 4pm Eastern Time

Brioche Hat Holiday Gift Workshop
Brioche Hat Online Workshop
Dec 10th, 2023 | 1pm – 4pm Eastern Time
Project Class

Materials: 2 balls of soft worsted weight yarn in different colors (approx 225 yards per ball), US size 9 (5.5mm) circular ndl 16″/40cm long and dpns or 2 circulars, basic knitting toolkit. This is enough yarn to make the hat plus the cowl from the November class.

Experience: Easy, need to know how to cast on, bind off, knit, and purl.

Description: I combined soft and squishy Brioche Stitch, also known as Fisherman’s Rib, with one skein of wool and one skein of wool-silk blend. You can choose any soft yarns that you like. We will learn how to knit 1-color AND 2-color Brioche in the round to create a cozy hat that can be work separately or paired with the cowl from November’s class.

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Dec 10th, 2023 | 1pm – 4pm Eastern Time

Colorwork Mittens Online Workshop
Colorwork Mittens Online Workshop
Oct 15th, 2023 | 1pm – 4pm Eastern Time
Project Class

Materials: 3-4 balls of worsted weight yarn in different colors, set of 5 size 7 double-pointed needles (or 2 circulars or 1 long circular for magic loop), a crochet hook of the same size, basic knitting toolkit.

Experience: Intermediate, need to know how to knit with double-pointed needles (or 2 circulars or 1 long circular for magic loop)

Description: Learn to make fabulous colorwork mittens. Choose your own cuff style, thumb technique, and fingertip shaping from traditional options and decorate your mitten with Lithuanian colorwork motifs. A basic pattern is provided, but you’ll learn how to make custom-fitted mittens on the fly with just a few key measurements. In this class we will also learn how to embellish our mittens with knitted fringe, baltic braids, and a decorative cast on.

Oct 15th, 2023 | 1pm – 4pm Eastern Time

Amish Oval Rug Workshop
Amish Oval Rug Online Workshop
Sept 17th, 2023 | 1pm – 4pm Eastern Time
Project Class

Materials: Size 10 1/2 needles, 5 skeins of Brown Sheep’s Burly Spun yarn, 1 skein color A, 2 skeins color B, 3 skeins color C or equivalent yarn, basic knitting tools.

Experience: Easy+ level. Students need to know to knit and purl, cast-on and bind-off, and have experience making 2-3 projects.

Description: Rugs provide a stress-free way to learn to knit. Even if you only know how to cast on and do the knit stitch, you can create stylish and functional rugs for your home. Since rugs are simple shapes, there are no armholes or necklines to shape, no buttonholes to remember, and no constant measuring to ensure proper fit. In this class, we will learn to make an oval knitted rug inspired by Early American braided rugs. Made from old rags, these early rugs represent frugality and parsimony, but their flamboyant colors speak of a love for beauty. This rug, made of alternating Garter and Stockinette Stitch strips, gives you the chance to bring the classic braided look into your own home.

Sept 17th, 2023 | 1pm – 4pm Eastern Time

Beaded Wrist Warmers Workshop
Beaded Wrist Warmers Online Workshop
Aug 20th, 2023 | 1pm – 4pm Eastern Time
Project Class

Materials
Beginner Knitter: 1 skein of Cascade 220 (or equivalent worsted-weight wool) in a medium or dark color, size 5 straight or circular needles (see homework)

Intermediate Knitter: 1 skein of Koigu (or equivalent fingering-weight wool) in a medium or dark semi-solid color, or equivalent fingering weight wool yarn, size 1 straight or circular needles (see homework)
Advanced: 1 skein of a fairly heavy lace-weight wool yarn,
something that has some body and is NOT cobweb weight, size 000 needles (see homework)

Everyone: crochet hook same size as needles or close, basic knitting toolkit, needle nose pliers (optional)

Homework: CO 30 sts and work in garter stitch for about 3 inches and BO. Make sure your stitches are tight and the fabric is firm. If they are loose and the fabric is soft, try again with smaller needles. Bring the swatch to class.
Experience: Beginners welcome! If you can do the knit stitch, you can make these beaded wrist warmers.

Description: Beads add a fabulous touch! Knowing just the basics of knitting, you can easily create colorful designs with beads. Using only garter stitch and learning how to read and work from beading charts, in this workshop, we will make beautiful jeweled wrist warmer cuffs that are inspired by those popular in Lithuania. We will also learn beautiful crochet trim stitches – with and without beads, for trimming the wrist warmers.

Aug 20th, 2023 | 1pm – 4pm Eastern Time

Lithuanian Cuff Down Socks Workshop
Lithuanian Cuff Down Socks Online Workshop
July 16th, 2023 | 1pm – 4pm Eastern Time
Project Class

Materials: 1 ball of worsted-weight yarn (approx 100 yards), two sets of 5 size 7 double- pointed needles (or 2 circulars or 1 long circular for magic loop), basic knitter’s toolkit.

Experience: Intermediate, need to know how to knit with double-pointed needles (or 2400 circulars or 1 long circular for magic loop)

Description: Working from instructions I have translated from vintage Lithuanian knitting books, we will knit several types of heels and toes that I have never seen used in contemporary American knitting patterns. We will also look at different types of sock construction used in Lithuania in the 19th century, and discuss the history and cultural development of Lithuania, with a focus on influences on knitting patterns and techniques used in the country. We will learn how to knit an unusual short row heel that also has a gusset, a stair-step heel, and several variations of heel stitches for heels with flaps. We will also look at several ways to shape toes including two unusual spiral designs with decorative decreases. I will have a selection of hand-knit socks from Lithuania to examine up close. Students will also receive a collection of colorwork and lace charts for sock stitches that are popular in Lithuania.

July 16th, 2023 | 1pm – 4pm Eastern Time

Grandma’s Knitting Online Workshop
June 18th, 2023 | 1pm – 4pm Eastern Time
Technique Class

Materials: About 50 yards of worsted-weight yarn, size 7 needles, basic knitting toolkit

Skill Level: All skill levels welcome.

Description: Learn the version of Continental knitting traditionally used in Lithuania and many other parts of Eastern Europe. This technique is sometimes called Combination or Eastern Uncrossed knitting in the west, but in Lithuania it’s known as Grandma’s Knitting. This is a fast way to knit and many knitters find it gives them the most even tension of any technique they’ve tried.

June 18th, 2023 | 1pm – 4pm Eastern Time

Successful Lace Knitting Workshop
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Successful Lace Knitting Online Workshop
May 21st, 2023 | 1pm – 4pm Eastern Time
Technique Class

Materials: Size 5 and 3 straight needles, approx 50 yards of worsted-weight and sport-weight yarn in any animal fiber, light colors are best, stitch markers, sticky notes (recommended) or row counter, and basic knitting tools.

Skill Level: For the advanced-beginner to intermediate knitter. Students should know how to cast on, bind off, knit, and purl, and should have completed several projects.

Description: For years I tried to learn how to knit lace, and was frustrated as I failed each time. I finally gave up because I wanted to have fun knitting and enjoy my hobby. I was able to knit cables, fair isle, intarsia, and even entrelac with no problems, but lace stymied me over and over again. I thought I would never be able to knit lace, until I stumbled onto Dorothy Reade’s simple techniques.

Working from charts, understanding decreases, and knitting with worsted-weight yarn and larger needles gave me the confidence and practice I needed to ease into lace knitting. If I learned how to knit lace after years of frustration and failure, I know other knitters can, too!

In this workshop we will discuss the tools and yarns used to knit lace, learn how to follow lace charts, and make one swatch in worsted- weight yarn and one in sport-weight yarn. Students will then be ready to knit a lace-weight swatch on their own, and move on to making a simple project such as a lace scarf or hat.

May 21st, 2023 | 1pm – 4pm Eastern Time[/vc_column_text][/vc_column][/vc_row]

Bosnian Sock Class
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Bosnian Toe Up Online Workshop
April 16th, 2023 | 1pm – 4pm Eastern Time
Project Class

Materials: 2 balls of worsted-weight yarn in different colors (approx 100 yards each), set of 5 appropriately sized double- pointed needles (or 2 circulars or 1 long circular for magic loop), a crochet hook of the same size, basic knitting toolkit

Experience: Intermediate, need to know how to knit with double-pointed needles (or 2 circulars or 1 long circular for magic loop)

Description: In this class we will learn how to make a fascinating Bosnian toe-up sock that has a rectangular toe that is knitted flat, but without purls! The rest of the sock is knitted in-the-round with an “after thought” heel, and decorative finishing. I have several examples of hand-knit Bosnian slipper socks that we will examine closely. We will knit a complete mini sock to learn the techniques, and you’ll have a pattern to knit full-sized socks on your own.

April 16th, 2023 | 1pm – 4pm Eastern Time[/vc_column_text][/vc_column][/vc_row]

Stories in Stitches Workshop
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Stories in Stitches Online Workshop
March 19th, 2023 | 1pm – 4pm Eastern Time
Technique Class

Materials: Approximately 2 skeins of approx 100 yards of worsted-weight yarn (each a different color) for knitting a sampler, size 7 (4.5mm) or 8 (5mm) knitting needles, basic knitting tools.

Experience: Intermediate. Knitters should have basic knitting skills plus experience with reading charts.

Description: In this workshop, we will learn about stories from knitters around the world, and we will learn to knit a pattern stitch from each region and knit a sampler. Stories and techniques will be different in this workshop.

We will go over topics as diverse as: Bavarian twisted-traveling stitches, Irish cables from the Aran Islands, two-color knitting from Norway, Danish texture patterns, Japanese bobbles, Ukrainian lace, Estonian nupps, Andean popcorn stitch, Lithuanian two-color braids, Latvian fringe cast-on, and Swedish twined knitting.

March 19th, 2023 | 1pm – 4pm Eastern Time[/vc_column_text][/vc_column][/vc_row]

Victorian Knitting Online Workshop
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Victorian Knitting Online Workshop
Feb 19th, 2023 | 1pm – 4pm Eastern Time
Project Class

Materials: Any spare yarn for swatching and appropriately sized needles.

Experience: Intermediate. Knitters should have basic knitting skills plus experience with knitting lace and reading charts.

Description: Have you ever found a beautiful pattern in an antique knitting book with bewildering instructions that gave you a headache? In this class, we will look at several Victorian knitting patterns and discuss how to interpret the instructions for today’s knitters. We will discuss gauge, sizing and materials and will look at a glossary of knitting terms that compares those from Victorian times with modern terminology and techniques.

We will also learn how to chart lace and texture patterns to make them easier to work with. We will go over the basics of charting using graph paper and pencil, and we will also learn about a variety of charting fonts, spreadsheet tools, and software programs for Mac and Windows.

Feb 19th, 2023 | 1pm – 4pm Eastern Time[/vc_column_text][/vc_column][/vc_row]

Pi Shawl Basics
Pi Shawl Basics Online Workshop 2024
BACK BY POPULAR DEMAND (same workshop as taught in 2023)
Jan 21st, 2024 | 1pm – 4pm Eastern Time
Technique Class

Materials: 1600 (XS, 54′′), 2000 (S, 60′′), or 2400 (L, 72′′) yards of sock yarn and size 4 double-pointed needles plus circular needles of varying lengths (interchangeables work great for this), or one long circular for magic loop. This is the yarn for a complete shawl. You can bring 1 skein of yarn with the appropriate needles for the class.

Experience: Intermediate. Knitters should have basic knitting skills plus some experience with circular knitting and reading charts.

Description: With the simple pi-shawl shaping pioneered by Elizabeth Zimmermann and the beautiful lace stitches designed by Dorothy Reade knit in fingering-weight yarn, and a knit-on border, you won’t get bored even though there is a lot of knitting! This pi shawl is made as a sampler using lace stitches with diamond and circle motifs. I made this up as I went and chose a pattern stitch that had the number of rows I needed for each section as well as a repeat that was close to what I needed.

You can copy my design exactly or choose whatever stitches you like for each section. We will discuss each chart in the workshop so you can see how I adapted Dorothy Reade’s original pattern stitches for use in this shawl. We will also learn how to begin a circular shawl on double-pointed needles or a long circular with magic loop, as well as using a crochet hook, how to work special stitches used in Dorothy Reade’s lace motifs, and how to work a knit-on border.

Jan 21st, 2024 | 1pm – 4pm Eastern Time

Click Here
Sun Goddess Pi-Shawl KAL Photos
Goddess Knits Pattern Gallery